{"id":700914,"date":"2009-07-17T08:00:00","date_gmt":"2009-07-17T08:00:00","guid":{"rendered":"https:\/\/dev.igmg.org\/birinci-nesli-anma-programae%c2%b1-2\/"},"modified":"2026-10-03T08:07:07","modified_gmt":"2026-10-03T08:07:07","slug":"birinci-nesli-anma-programi","status":"publish","type":"post","link":"https:\/\/www.igmg.org\/tr\/birinci-nesli-anma-programi\/","title":{"rendered":"Birinci Nesli Anma Program\u0131"},"content":{"rendered":"

Program zengin i\u00e7eri\u011fi ile dikkat \u00e7ekti. Kat\u0131l\u0131m\u0131n yo\u011fun oldu\u011fu programda birinci nesilden b\u00fcy\u00fcklerimiz ile s\u00f6yle\u015filer yap\u0131ld\u0131 ve gurbette ba\u015flar\u0131ndan ge\u00e7en an\u0131lar\u0131n\u0131 anlatt\u0131lar.<\/p>\n

Gurbetle alakal\u0131 sinevizyon g\u00f6sterileri ile devam etti. Sinevizyon konular\u0131 “Ben Almanc\u0131 de\u011filim, Almanya treni, Almanya’dan mektup”\u009d idi. Envariye Aslaner’in \u015fiir sunumu, Fatma Kahraman’\u0131n gurbet t\u00fcrk\u00fcleri ile devam eden programda 5 perdelik bir piyes (tiyatro oyunu) sunuldu. Ay\u015feg\u00fcl G\u00fcler’in yazd\u0131\u011f\u0131  “Gurbette 40 Y\u0131l”\u009d konulu piyesin  oyuncular\u0131, \u015e\u00fcheda \u00d6zger ve Hatice \u00d6zdikmen idi. Ayr\u0131ca “Almanyal\u0131 T\u00fcrk\u00e7esi ile Ske\u00e7ler”\u009d konulu ikinci bir tiyatro sunumu yap\u0131ld\u0131. Bu g\u00f6sterinin sunuculu\u011funu ise Kevser \u015eahin ve Hatice Sar\u0131 yapt\u0131. <\/p>\n

Birinci nesil b\u00fcy\u00fcklerimizden Berlin’de ya\u015fayan ve vefat edenlerle alakal\u0131 bir sinevizyon g\u00f6sterildikten sonra \u00f6nceden okunan hatimlerin duas\u0131 yap\u0131ld\u0131. Program\u0131n sonunda kat\u0131l\u0131mc\u0131lara ikramlarda bulunuldu.(ik)<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0130slam Toplumu Mill\u00ee G\u00f6r\u00fc\u015f Berlin Han\u0131m Kollar\u0131’n\u0131n d\u00fczenledi\u011fi “S\u0131ladan Gurbete”\u009d adl\u0131 birinci nesli anma program\u0131 b\u00f6lge salonunda ger\u00e7ekle\u015ftirildi.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[4963,4962],"tags":[],"class_list":["post-700914","post","type-post","status-publish","format-standard","category-haberler","category-igmg"],"_links":{"self":[{"href":"https:\/\/www.igmg.org\/tr\/wp-json\/wp\/v2\/posts\/700914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.igmg.org\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.igmg.org\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.igmg.org\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.igmg.org\/tr\/wp-json\/wp\/v2\/comments?post=700914"}],"version-history":[{"count":2,"href":"https:\/\/www.igmg.org\/tr\/wp-json\/wp\/v2\/posts\/700914\/revisions"}],"predecessor-version":[{"id":747314,"href":"https:\/\/www.igmg.org\/tr\/wp-json\/wp\/v2\/posts\/700914\/revisions\/747314"}],"wp:attachment":[{"href":"https:\/\/www.igmg.org\/tr\/wp-json\/wp\/v2\/media?parent=700914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.igmg.org\/tr\/wp-json\/wp\/v2\/categories?post=700914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.igmg.org\/tr\/wp-json\/wp\/v2\/tags?post=700914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}